*1982 in Bucharest, lives and works in Bucharest, Romania.
Alexandra Pirici was trained as a dancer and expands in her work the field between contemporary dance, performance art and time-based scultpural moments. Together with Manuel Pelmuş she represented Romania in 2013 at the 55. Venice Biennale with a live performance action 'An Immaterial Retrospective of the Venice Biennale'. The Art Collection Telekom funded the realisation of her work 'Signals' for the 9. Berlin Biennale.
What best reflects the emerging ideologies of our age? For Alexandra Pirici, it’s the bubble logic of the ranking algorithm implemented by Facebook’s EdgeRank and Google’s PageRank, through which popular and relevant content is privileged. Signals draws on newsfeeds from real political events, pop cultural memes, and ephemera. Performers, clad in black motion-capture suits dotted with white reflectors, act out this steady stream of images and information in a black box space: holiday-goers mingling with migrants on a beach, Kim Kardashian’s naked body 'breaking the internet', and Kevin Carter’s 1993 photo of a vulture preying on a famished little girl. The enactments are crowdsourced out of pver 80 events from online 'users', who can collectively select configurations of newsfeed content via a website. Meanwhile, no actual motion capture takes place. No reconstruction of these abstracted body signals occurs—apart from the one in the audience's imagination.
1. Performance during 9. Berlin Biennale 04.06.-18.09.2016
Performers: Sandhya Daemgen, Madalina Dan, Martin Hansen, Alice Heyward, Negroma, Jasmin Ihraç, Anna Jarrige, Leah Katz, Jared Marks, Zwoisy Mears-Clarke, Emily Ranford
Light Design Andrei Dinu
Ranking Algorithm Consultancy and Integration Jonas Lund
Voice announcements recorded by Aanisa R. Jama
Courtesy Alexandra Pirici
Commissioned and coproduced by Berlin Biennale for Contemporary Art, Art Collection Telekom
Additional support Rudolf Augstein Stiftung
Thanks to National Dance Center, Bucharest; Meredith Meredith