Aneta Grzeszykowska

Negative Book

2012–2013

  • Aneta Grzeszykowska, Negative Book, 2012–2013, 'Fragile Sense of Hope' me Collectors Room, Berlin, Foto: Bernd Borchardt

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (1/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (2/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (3/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (4/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (5/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (6/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (7/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (8/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (9/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (10/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (11/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (12/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (13/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (14/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (15/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (16/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (17/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (18/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (19/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (20/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (21/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (22/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (23/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (24/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (25/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (26/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (27/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (28/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (29/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (30/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (31/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (32/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (33/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (34/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (35/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (36/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (37/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (38/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (39/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (40/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (41/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

  • Aneta Grzeszykowska, Negativebook, 2012–2013, (42/42)

    Pigment ink on cotton paper, series of 84 motifs

    38 x 50 cm

When looking at photographs and images, we have learnt to keep a sceptical distance. We know that an image is always an interpretation, a manipulation of what is actually there, only one of many conceivable or possible representations of a specific situation. It is never a neutral and factual reflection of reality.

In Aneta Grzeszykowska's series 'Negative Book', the usual parameters of analogue photography are displaced. Many of the photographs were taken during a residency the artist spent in California with her partner and child. Ostensibly, these are private pictures of an interesting and exciting stay. But the prints have two distracting elements. Firstly, the photographs have been printed as negatives instead of positives, so that everything which is bright in reality, reflecting a lot of light, appears dark in the photographic print, and what is dark suddenly appears light. Secondly, in quite a number of photographs the artist has also painted her face and body with black paint. In the negative print the effect is to make her face and body appear white.

We use cookies to offer you an optimal website experience. These are small text files that are stored on your computer. This includes cookies for the operation and optimization of the site as well as for optional services. Further information on data processing can be found in our data protection information.