Klara Hosnedlová’s work combines meticulous handcraft, futuristic aesthetics, sculptural environments and performance. Her practice reflects a sustained interest in architecture—not only as physical structure but as a social and psychological space that frames intimacy, gender, and memory. The series Ladies‘ Tears explores themes of ornament and gender. The setting reminds a kind of boudoir and refers to the separated dressing rooms of a man and a woman at Villa Müller in Prague, which was built in 1930 after the plans by Adolf Loos.