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Aleksandra Domanović – Canopy Collapse

News

Aleksandra Domanović – Canopy Collapse

09 Oct 2025 – 15 Feb 2026
Kunsthal Charlottenborg, Copenhagen
  • Aleksandra Domanović, Canopy Collapse, Konsthal Charlottenborg, Copenhagen 2025. Photo David Stjernholm.
    Aleksandra Domanović, Canopy Collapse, Konsthal Charlottenborg, Copenhagen 2025.
    Photo David Stjernholm.
  • Aleksandra Domanović, Relay Runner, 2013, Kunsthal Charlottenborg Copenhagen 2025. Photo David Stjernholm. Courtesy the artist and Kunsthal Charlottenborg
    Aleksandra Domanović, Relay Runner, 2013, Kunsthal Charlottenborg Copenhagen 2025.
    Photo David Stjernholm. Courtesy the artist and Kunsthal Charlottenborg.
  • Aleksandra Domanović, Canopy Collaps, Kunsthal Charlottenborg, Copenhagen 2025. Photo David Stjernholm. Courtesy the artist and Kunsthal Charlottenborg
    Aleksandra Domanović, Canopy Collaps, Kunsthal Charlottenborg, Copenhagen 2025.
    Photo David Stjernholm. Courtesy the artist and Kunsthal Charlottenborg.
  • Aleksandra Domanović, Canopy Collaps, Kunsthal Charlottenborg, Copenhagen 2025. Photo David Stjernholm. Courtesy the artist and Kunsthal Charlottenborg
    Aleksandra Domanović, Canopy Collaps, Kunsthal Charlottenborg, Copenhagen 2025.
    Photo David Stjernholm. Courtesy the artist and Kunsthal Charlottenborg.

In the exhibition "Canopy Collapse", visitors to Kunsthal Charlottenborg can explore a major survey of Aleksandra Domanović’s conceptually driven and materially sensitive practice. Here, she transforms technological systems and cultural memory into artworks. Working across sculpture, video, photography, and digital media, Aleksandra Domanović explores technology through a gender-conscious lens, delving into themes such as the legacy of Yugoslav cybernetics and the cultural impact of digital networks.

With works ranging from monuments to living international celebrities to genetically modified bulls and news broadcasts from the post-Yugoslav states, as well as references to the unifying techno rave culture of the 1990s, the artist creates a complex and often personal perspective on how technological changes shape both who we are and how we remember.

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